In Uncertain Relations Joel Chase mixes "positrons and electrons" with "the Dying Grass Moon." The result is a well structured piece of work: a solid bridge that teases our thought process..

We experience ourselves and unknown forces in this work along with the mix that blends it altogether. It is metaphysical-clean; infused with metaphor and grace. "I can lick my weight in wildflowers" "have you ever considered the gender of atoms." Joel Chase is saying something that makes me want to know. It is as simple and as lovely as that. There is a reaching out, and a subtle positive momentum that moves forward and backwards at the same time. There is clear positive image compelling the reader along the page. I especially liked the sudden stops and starts. The way it changes gear and moves into different directions. His gift to us here is the question and part of the answer. He is trusting our judgment and ability to figure it out and know as much as anyone can know. He writes about what we see and do not see. The feeling of the force pulls us through the pages. I am reminded of time capsules and white light. The infra-red; the concrete seen and unseen; physics blended with color and light. A spectral border of being, merging with the truth of being.

I think this bridge carries itself from the beginning to the end of the piece. There are no loose stones or shaky rafters. The paint on this bridge is not chipped. It is clean and fresh and it evolves with light and reaches to the other side of the shore.

-- Dorothy Doyle Mienko